Latin Pop – Mi Tercera Edad Sat, 25 Sep 2021 08:06:22 +0000 en-US hourly 1 Latin Pop – Mi Tercera Edad 32 32 2021 Billboard Latin Music Awards Winners List Fri, 24 Sep 2021 23:23:26 +0000

The Billboard Latin Music Awards, presented in 56 categories, honor the most popular albums, songs and performers in Latin music as determined by the famous Billboard Weekly Rankings, during the period from the February 1, 2020 ranking to August 7 of this year. , 2021, maps, a longer period than usual due to the pandemic.

After Bunny in number of wins, there was Jhay Cortez – with three for “Dákiti” – and the Black Eyed Peas, whose hit “Ritmo (Bad Boys for Life)” with J Balvin won the song from the sales of the year, while their “Mamacita” with Ozuna and J. Rey Soul won the Latin Pop Song of the Year award. The Peas also won the Crossover Artist of the Year award, thanks to their album revolutionary Translation, where they are associated with several Latin acts.

Urban star Karol G took home the female awards, winning Hot Latin Songs Artist of the Year, female, and Top Latin Albums artist of the year, female. Colombian compatriot Maluma, along with The Weeknd, also won two awards for “Hawaii” and Prince Royce, who continues to innovate in the field of tropical music, took home the tropical song of the year award with ” Carita Inocente ”and Tropical Album of the Year for Alter ego.

In the rapidly growing field of Mexican regional music, Sergio Lizárraga’s loyal group MS won the Hot Latin Songs Artist, Duo or Group of the Year and Mexican Regional Artist, Duo or Group of the Year. In turn, newcomers Eslabón Armado won the award for best Latin album of the year, duo or group, and Mexican regional album of the year for You mortal Veneno.

In a year packed with new music, the versatile Myke Towers, who does both rap and reggaeton, won the New Artist of the Year award, backed by a series of hits and albums at success. And Tainy once again won the Producer of the Year award.

The evening was punctuated by many privileged moments. Daddy Yankee received the Billboard Hall of Fame award, becoming the first urban artist to receive the honor and highlighting nearly two decades of consistent success. In turn, Yankee presented the television premiere of his new single, “Métele al Perreo”.

Rock legends Maná received the new Billboard Icon award and premiered their new single, “Reloj Cucú” alongside newcomer Mabel.

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See the full list of winners – WHIO TV 7 and WHIO Radio Fri, 24 Sep 2021 06:38:50 +0000 > RELATED STORY: Bad Bunny Is Biggest 2021 Billboard Latin Music Awards Winner Photos: Stars shine on the 2021 Billboard Latin Music Awards …]]>

CORAL GABLES, Fla – Rapper Bad Bunny hit the jackpot on Thursday at 2021 Billboard Latin Music Awards, topped 10 categories at the event in Coral Gables, Florida, according to Billboard magazine.

>> RELATED STORY: Bad Bunny Is Biggest 2021 Billboard Latin Music Awards Winner

See the list of winners below:

>> Read more trending news

• Artist of the year: Bad bunny

• New artist of the year: Myke’s Towers

• Crossover Artist of the Year: Black Eyed Peas

• Latin song of the year: “Dakiti”, Bad Bunny and Jhay Cortez

• Latin song of the year, vocal event: “Dakiti”, Bad Bunny and Jhay Cortez

Male Latin Song Artist of the Year: Bad bunny

Latin songs female artist of the year: Karol G

Latin song artist of the year, duo or group: Banda MS by Sergio Lizárraga

• Song of the year broadcast in Latin: “Hawaii”, The Weeknd and Maluma

• Latin airplay label of the year: Sony Latin Music

• The Latin imprint of the year: Sony Latin Music

• Sales song of the year: “Ritmo (Bad Boys for Life”, Black Eyed Peas and J Balvin)

• Streaming song of the year: “Dakiti”, Bad Bunny and Jhay Cortez

• Latin Album of the Year: “YHLQMDLG”, Bad Bunny

• Latin Albums of the Male Artist of the Year: Bad bunny

• Latin albums female artist of the year: Karol G

• Latin albums of the artist of the year, duo or group: Eslabon Armado

• Latin pop solo artist of the year: Shakira

• Latin pop artist of the year, duo or group: Mana

• Latin pop song of the year: “Mamacita”, Black Eyed Peas, Ozuna and J. Rey Soul

• Latin pop album of the year: “Sin Miedo (Del Amor y Otros Demonios)”, Kali Uchis

• Tropical solo artist of the year: Romeo Santos

• Tropical artist of the year, duo or group: Adventura

• Tropical song of the year: “Carita de Inocente”, Prince Royce

• Tropical album of the year: “Alter Ego”, Prince Royce

• Regional Mexican solo artist of the year: Christian Nodal

• Regional Mexican artist of the year, duo or group: Banda MS by Sergio Lizárraga

• Mexican regional song of the year: “Yo Ya No Vuelvo Contigo”, Lenin Ramírez with Grupo Firme

• Regional Mexican Album of the Year: “Tu Veneno Mortal”, Eslabon Armado

• Latin rhythm solo artist of the year: Bad bunny

• Latin rhythm artist of the year, duo or group: Legendaries

• Latin rhythm song of the year: “Hawaii”, Maluma and The Weeknd

• Latin rhythms album of the year: “YHLQMDLG”, Bad Bunny

Songwriter of the Year: Bad bunny

Producer of the Year: Tainy

Read more here.

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News Digest: Sports park layout design workshops | Danny Glover on stage | IndiviDúo at the fire station | New Fri, 24 Sep 2021 00:37:55 +0000

Park amenity designs

Town of Pleasanton officials are holding back-to-back community outreach sessions at Ken Mercer Sports Park on Saturday, September 25 to gather feedback on designs for the Everyone Playground and future skate park.

The Everyone Play session will take place from 9 a.m. to noon in the picnic area near the playground adjacent to the softball fields.

The skate park discussion will take place from 1:00 p.m. to 4:00 p.m. in the grassy area near the parking lot adjacent to the skatepark. Municipal staff will have tables and signage at both locations.

To view the drawings before the meeting, visit

IndiviDúo at the fire station

Latin pop duo IndiviDúo – California songwriter Tiffany Joy and Colombian musician Maqui Reyes – will perform on stage at the Firehouse Arts Center next weekend to celebrate Hispanic Heritage Month.

The dynamic duo are known for their distinctive original repertoire with unique versions of some of the most famous Latin music hits, according to Firehouse officials.

Tickets remain available for the show in downtown Pleasanton at 8 p.m. next Saturday (October 2).


Danny Glover on stage

The Bankhead Theater in Livermore next week. hosts “An Evening with Danny Glover”, the actor, producer and humanitarian best known for his role in the “Lethal Weapon” franchise and his community activism.

Presented as part of the Rae Dorough Lecture Series, the event will begin at 8 p.m. next Friday (October 1) in downtown Livermore. For tickets, visit

“Promote development” for adolescents

The Pleasanton-based Alan Hu Foundation is sponsoring a webinar with Dr. Stephen Hinshaw on Monday titled “Adolescent Mental Illness, Stigma and Families: What is Needed to Promote Prosperity.”

Hinshaw, professor of psychology at UC Berkeley and professor of psychiatry and behavioral sciences at UCSF, will discuss how to “define the concept of stigma as it relates to people with mental disorders and discuss severe mental illness in a family context, ”said the organizers. .

“By blending science and narrative, I hope to give a voice to the family suffering involved when stigma reigns, and what a future might look like when open attitudes, evidence-based treatment and humanization can. prevail, ”Hinshaw said.

The presentation, which will be followed by a 15-minute question-and-answer session, is recommended for students in grades 7 and up, their families and the general public. The session runs from 6:30 p.m. to 7:30 p.m. on Monday (September 27). Register at

LV wine auction

The Livermore Valley Winegrowers Foundation is hosting its 2021 Livermore Valley Wine Auction this Saturday, September 25.

While the in-person event is sold out (an outdoor garden party in the wine country from 2 p.m. to 5 p.m.), the organization has opened its silent online auction now and is accepting auctions until 8 p.m. on Saturday. .

For more information or to bid in the silent auction, visit

The author speaks

Livermore Public Library will host Livermore author Senait Mesfin Piccigallo next Saturday (October 2) at 2pm to discuss his book “You’re in America – Now What? 7 Steps to Integrate with Ease and Joy”.

Written as a guide to help immigrants make the transition to their new country, the book reflects Piccigallo’s experience arriving at his new home via China and Eritrea, library officials said.

The in-person event, which will include a book signing, will be held outside at the Civic Center Library, 1188 S. Livermore Ave. The program is part of the Authors and Library Arts series, supported by the Friends of the Public of Livermore. Library. Go to

Choir auditions

The Valley Concert Chorale is hosting by appointment auditions for its 2021-22 season on October 11 at the First Presbyterian Church on Fifth Street in Livermore.

The chorale is looking for experienced singers with sight reading skills who enjoy singing exciting and uplifting music. The group presents three concert ensembles per season with a wide variety of music ranging from classical to contemporary, and from folk to jazz, the representatives said. The season opens with holiday concerts on December 11 and 12: “Comfort and joy: songs, glorias and lullabies”.

The 10-minute meeting will include vocalizations, the reading of a page of a motet and an exercise in applause. Singers are to engage in the season with rehearsals on Monday evenings in Livermore.

To set up a hearing, call 925-866-4003 or text 925-216-7084. Participants must be fully vaccinated against COVID-19 and wear a mask. More information on

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‘World’s Most Garbage Bar’ Hosts Sustainable Pop-Up in London Thu, 23 Sep 2021 10:29:39 +0000

A wildly brilliant idea.

This one-of-a-kind bar is coming to the capital for London Cocktail Week, and we’re here for it. Courtesy of Zero Waste Spirits Brand Discarded Spirits Co., you will be treated to a unique event where, in their own words, “waste, taste and purpose meet beautifully”.

Introducing “The World’s Most Rubbish Bar”, a brand new immersive pop-up aimed at reshaping the perception of waste while delivering a candle cocktail experience.

Did you know that junk coffee grounds, leftover citrus peel and flat sparkling wine from local bars and cafes could be given a new lease of life, creating spirits that taste amazing? Well, now you do – and you’ll have a chance to sample what the circular cocktail economy has to offer October 15-17.

By teaming up with top bartenders from iconic bars (including The Nomad, Lyaness, Silo, Artesian, Eve Bar, and The Gate), you’ll see how so-called trash can be turned into the most delicious – and sustainable – cocktails that be.

Discarded Spirits Co. has three divine spirits for you to try: Discarded Grape Skin Vodka, Discarded Banana Skin Rum, and Discarded Sweet Cascara Vermouth. As you can probably guess from their titles, they were all created with ingredients that would have gone in the trash.

Plus, you’ll take a journey through Latin American coffee fields, Chardonnay vineyards, and Caribbean jungles to experience how waste is turned into these luxurious spirits. A day drenched in innovation, if there is one.

If you don’t want to waste another second in ignoring this process, head to The Ditch, Old Street, EC1V 9LT October 15-17 from 6 to 8 p.m. or 9 to 11 p.m. Tickets cost £ 20 and you can book them here. You can also buy Discarded Spirits Co. drinks directly from Waitrose Where

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‘Britney vs Spears’ Netflix Documentary Trailer: Watch Wed, 22 Sep 2021 19:20:23 +0000

Although the teaser does not include any other information about the film, hours after its release, Carr confirmed to Hollywood journalist that she realized and produced it. His team includes acclaimed documentary filmmakers Liz Garbus and Dan Cogan of Story Syndicate, who produced alongside Amy Herdy (Allen vs. Farrow) and Jenny Eliscu, with producer credits going to Carr, Sarah Gibson (Heart of Gold: Into the Gymnastics Scandal in the United States) and Kate Barry.

News of the project comes during a busy month for the global pop superstar. She recently revealed on Instagram that she was engaged to longtime boyfriend Sam Asghari only to let him know she was taking a social media hiatus. It ended with a brief respite as the 39-year-old returned to the post within a week. Meanwhile, his guardianship case is due to return to court on September 29 when the fate of the 13-year-old arrangement could be decided.

Spears has repeatedly expressed a wish to see his father, Jamie Spears, removed from trusteeship, and his recently installed personal attorney, outstanding litigator Mathew Rosengart, has acted swiftly on his behalf. For his part, Jamie Spears filed a response to the petition last month in which he agreed, through his lawyer, to step down. “Mr. Spears intends to work with the court and his daughter’s new attorney to prepare for an orderly transition to a new conservative,” wrote Jamie Spears attorney Vivian Thoreen.

Carr comes to Project Spears after previously working with Netflix on How to fix a drug scandal and with HBO on I love you, now I’m dying: The Commonwealth vs. Michelle Carter, two documentaries that saw her navigate the legal system, courtrooms and sensitive topics. She is also well known as the author of the memoirs All you leave behind and as the daughter of the late journalist and author David Carr.

Public fascination with Britney’s roller coaster story – and the whirlwind surrounding the #FreeBritney movement – has grown significantly since Hulu’s release Coaching Britney Spears debuted in February, a doc produced in collaboration with FX as part of his The New York Times presents series.

This article was originally published by Hollywood journalist.

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Maroon 5, Brooks & Dunn among the 40+ best concerts in Houston Wed, 22 Sep 2021 08:15:28 +0000

Maroon 5 lead singer Adam Levine performs during the Super Bowl LIII halftime show between the New England Patriots and Los Angeles Rams at Mercedes-Benz Stadium in Atlanta, Georgia on February 3, 2019.

Photo: TIMOTHY A. CLARY, Contributor / AFP / Getty Images

Most sites still follow COVID-19 guidelines, including reduced capacity, social distancing, and masks. Many shows require proof of vaccine or a negative test.


Tony Kamel: Bluegrass singer-songwriter. 7 p.m. and 9:30 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.

Alexandre Fernández: Mexican pop singer. 9 p.m. at the Smart Financial Center, 18111 Lexington, Sugar Land; 281-207-6278

Guapo: Mexican tropical group. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

The Light Rock Express: Light rock, duh. 9 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Fallon Franklin: Americana. 8:30 p.m. at Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Thrice: Rock with Jim Ward from At The Drive-In and Sparta. 7pm at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Audience: Housing. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

Four letter language: Pop-punk. 8 pm at White Oak Music Hall, upstairs, 2915 N. Main; 713-237-0370.

Brooks and Dunn: Country duo. 7 p.m. at the Woodlands Pavilion, 2005 Lake Robbins, The Woodlands; 281-364-3010.


Shiny ribs: Austin group. 8 p.m. at White Oak Music Hall, downstairs, 2915 N. Main; 713-237-0370.

Marisela: Latin pop star. 8 p.m. at the Arena Theater, 7326 SW Fwy .; 713-772-5900.

Wynonna & Cactus: Country star and her husband. 8 pm Saturday and Sunday at the Heights Theater, 339 W. 19th; 214-272-8346.

Ultimate Rap League: Fight rap show. 3 p.m. at the Bayou Music Center, 520 Texas Ave .; 713-230-1600

Spag Heddy: Dubstep. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

Rock. 6:30 p.m. at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Pop / R & B. 9 pm at the Warehouse Live studio, 813 St. Emanuel; 713-225-5483.

Tony Ramey: Americana. 8:30 p.m. at Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Brooke Alysse: Singer-songwriter. 8:30 p.m. at Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

Led Zeppelin 2: Zeppelin cover band. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

Shame on me:
Scary do-wop. 9 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Libby Koch: Americana. 7 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.

Kory Quinn: Country. 9:30 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.


The murder of the black Dahlia:
Death Metal. 7pm at Warehouse Live, 813 St. Emanuel; 713-225-5483.

Hall & Oates / Squeeze: The rock-pop nostalgia of the 70s / 80s. 7 p.m. at the Woodlands Pavilion, 2005 Lake Robbins, The Woodlands; 281-364-3010.

The front stockings: Folk-punk. 6:30 p.m. at White Oak Music Hall, downstairs, 2915 N. Main; 713-237-0370.

Albert Cummings: Blues. 7:30 p.m. at Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 281-367-3774.

Kiefer: Soul. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

TV girl: San Diego indie pop. 7:00 p.m. at the Satellite Bar, 6922 Harrisburg; 713 425-669


Blxst: Rap. 7 p.m. at House of Blues, 1204 Caroline; 888-402-5837.


Bordeaux 5: Pop. 7 p.m. at the Woodlands Pavilion, 2005 Lake Robbins, The Woodlands; 281-364-3010.

Shinedown: Hard Rock. 8 p.m. at the Smart Financial Center, 18111 Lexington, Sugar Land; 281-207-6278

Avatar: Metal. 6:30 p.m. at House of Blues, 1204 Caroline; 888-402-5837.

Austin Lounge Lizards: Austin’s group loves satire. 7 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.


Skillet: Christian rock. 6 pm at the White Oak Music Hall downstairs, 2915 N. Main; 713-237-0370.

Pat Byrne and Bonnie Whitmore: Authors-composers-performers. 6 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.

Glenn Templeton: Country. 8 p.m. at the Dosey Doe Great Barn, 25911 Interstate 45 N., The Woodlands; 832-823-4414.


Davy Knowles Group: Blues. 8:30 p.m. at Dosey Doe Big Barn, 25911 Interstate 45 N., The Woodlands; 832-823-4414.

Rickie Lee Jones: American icon. 8 p.m. at the Heights Theater, 339 W. 19th; 214-272-8346.

Humbird: Popular. 8:30 p.m. at Dosey Doe Breakfast, BBQ and Whiskey Bar, 2626-B Research Forest, The Woodlands; 832-823-4414.

Willow: Pop, punk and whatever she wants. 7 p.m. at the White Oak Music Hall downstairs, 2915 N. Main; 713-237-0370.

Angelica Rahé: Pop. 8 pm at White Oak Music Hall upstairs, 2915 N. Main; 713-237-0370.

Vampa: Dubstep. 10 p.m. at Stereo Live, 6400 Richmond; 832-251-9600.

covers of the Beatles. 7 p.m. at the Continental Club, 3700 Main; 713-529-9899.

Liz Longley: Singer-songwriter. 7 p.m. at McGonigel’s Mucky Duck, 2425 Norfolk; 713-528-5999.

  • Joey guerra

    Joey Guerra is the music critic for the Houston Chronicle. It also covers various aspects of pop culture. He’s reviewed hundreds of concerts and interviewed hundreds of celebrities, from Justin Bieber to Dolly Parton to Beyonce. He appeared as a regular correspondent on Fox26 and served as chief judge and director of the Pride Superstar singing competition for a decade. He has been named journalist of the year several times by OutSmart magazine and the FACE Awards. It also covers various aspects of pop culture including the local drag scene and “RuPaul’s Drag Race”.

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Nite Jewel discusses the creative process behind ‘No Sun’ Tue, 21 Sep 2021 16:19:54 +0000

No sun, the disarmingly beautiful album from singer, songwriter and producer Nite Jewel, is full of open spaces. The artist, real name Ramona Gonzalez, lets her vaporous voice float out of long expanses of the atmosphere, coiling like smoke through delicately arranged synths and subtle basslines. She offers cautious moments of stillness, giving the listener the opportunity to sit down with the music and find their own quiet catharsis through her songs.

The album came out of a period of upheaval and transition for Gonzalez. Most of the songs were written towards the end of her 12-year marriage and capture the pain and heartache she was going through at the time. Gonzalez had also started a doctorate in musicology and examined how women’s voices have served as vehicles of lament throughout history – an idea that appears repeatedly in her tender songwriting and painful vocal performances.

She spoke to Rolling stone about the album’s editing process, how it marked an evolution for her as a producer, and how she hopes it connects with people going through their own difficult experiences.

This interview has been condensed and edited for clarity.

How do you see No sun as a departure from your past work?
The only thing I don’t do as an artist is stick to the exact same formula. I know there are certain things that are just a part of me musically that I love to include, whether it’s deep bass lines or certain melodies, but I try to challenge myself with every record. I think with my second album I had a similar idea to the one I had for No sun, where I wanted to record analog and wanted to have sequencers – I was inspired by Brian Eno, actually, where I wanted to produce in this way that felt really experimental. The record was ambitious, and I don’t think it was exactly what I wanted in terms of producing and writing songs. For No sun, I was finally able to make this vision that I have had for so long, which is very improvised, experimental and focused on working outside of the pop formula.

What also helped me was that I saw a lot of contemporary artists that I admired bringing pop music to a different place, like with Blond by Frank Ocean, or with Solange’s records, such as When I come back home. It seemed to me that there was a place for all these wacky ideas that I had had for years, and that people would understand.

This album also came at a time that you think marked a lot of huge changes in your personal life. How did these experiences impact the album?
Big changes, huge changes. I started planning the record in late 2017, early 2018 when I got a Moog sequencer. At the beginning, I only had instrumental ideas. It was a bit similar to Brian Eno’s processes, or what I read about it: it was about creating a sound environment and choosing your tools, and I had a notebook where I was writing different ideas I had just for the instrumental sounds. But in the middle of 2018 my life was starting to fall apart quite dramatically: my 12 year marriage was falling apart, I had to leave my house, I was homeless for about two months. All the while, I was carrying my little setup with me from place to place – my synths and the like, from a friend’s house to a friend’s house – and recording wherever I could. Even though it was a difficult time, I felt really inspired because there were so many ideas coming to me in terms of the lyrics.

This is when poetry occurs, when you are in transition or there is a tumultuous situation. It was really the self-writing songs, and the lyrics themselves were inspired by the hardships and trauma I was going through at the time. But I also knew that those words would be powerful for a more universal purpose: so that I could communicate something that could be a universal feeling, because I felt it so deeply. I wrote most of the songs within a six month period after that, and then I started mixing, tweaking, and tweaking – and that’s the part that takes forever, mostly because I’m self-supporting and that I run my own label.

Throughout this experience, you also worked on your doctorate in musicology. Did the experience of thinking about music academically influence the creative process?
Sometimes the analytical mind can get in the way of the creative mind, but by the time my studies started, I had already pretty much completed the creative process. I was studying the history of music, the history of women’s voices, the history of women singing sad songs, and it all enriched my perspective on my own music. I would go back to the songs I had written and see them through this long historical lens of what the empowering position of women is in musical history, what they do, and what they are prohibited from doing. do – because women have historically been constrained in their creativity. practical too. It just allowed me to be riskier, actually, because once you see music in a bigger, longer tradition, you don’t worry about the things that are just a concern of the moment – Trends and things like that.

As you mentioned, you look at the tradition of female voices as a vehicle for expressing lament and pain on this album, and some of that comes straight from your studies. Can you tell us more about how you got interested in this concept and how it played out here?
Women have been entrusted with this role throughout history to express the collective pain of people, of cultural communities. I’m doing a paper on Sade and his album Rock of lovers right now, and she says, “I’m crying everyone’s tears.” It’s rooted in the trauma, in the trauma that people go through through oppression and racism. Women experience it, black people experience it, and there are intersectional concerns and traumas that cross all kinds of people in different positions in society… My album does not necessarily speak collectively for a community in my intention. But I wanted the album to tell people about [a specific] situation, which is in a way a performance of trauma.

You also focus your voice here a lot more than on previous projects.
This was done a lot by improvisation. So for example, the first song, “Anymore”, and the track “No Escape” were these sequences that I had going back and forth, and I was just playing chords or singing along, sort of improvising. . It was kind of like treating my voice like an instrument and freestyle. What I didn’t necessarily do was copy and paste my voice afterwards in a pop format. So this way the vocals are much more flexible and elastic, and the verse-chorus structure isn’t as much of a concern as it would be in your normal pop song.

I also made a specific decision not to focus on drums on this record. Many pop songs these days start with the drums. If you go to a songwriting session in LA with a young producer and a singer, they’re going to start with a beat. There’s almost a gender hierarchy built into there, where the male producers are supposed to make the beats and the women are supposed to sing and it’s top to bottom. And while I was making this record, I was like, “I’m so done with this idea.” I was breaking up with my husband, who is an amazing producer and does amazing drums. There was a bit of anger there, where I was like, “More drums.” We’re fine now, but back then I was like, “I never use drums again.” Obviously, there is percussion on the record, but it was added later, and a lot of it, I programmed myself or I had my friend play. But I was experiencing the production hierarchy that we are so used to.

Made No sun end up providing you with catharsis in any way?
I think there were different stages of catharsis. There was the catharsis of finalizing it, finishing it and feeling like it was done. And there was the catharsis of sharing it with my ex-husband and hearing him say he appreciated and listened to him. So there is this stage of this album as communication. Then there is the album which is just a work of art. And then there’s the third cathartic moment, which releases the record, and makes people say [they] appreciate it. It’s like another kind of beautiful process. [People] notice the production and notice the composition, and to be recognized as a songwriter is something I have wanted for a long time… I really wanted it to highlight my skills as a songwriter and producer.

How is your thesis going?
It’s funny. In fact, fun is not the right word. It’s enriching, but I still have two years left. I have my master’s degree at the moment, and I passed my exams. Once October begins, this is when the intense work towards your thesis begins. Right now, the case study I’m working on is Sade; I’m doing an article on her right now. And I also did an article on Rosalía – almost my entire life over the past year has been focused on her. I’m so deep in El Mal Querer and flamenco. I was struck by the fact that she was giving a historical account of the practice of lamentation in Spain, as the album is based on this 13th century text… I didn’t do much research on Lana Del Rey , but I’ll include it as a case study. And maybe one more. I just have to choose wisely, because I want to represent a lot of different women from different walks of life in the 21st century so that I can examine the power differential between these different types of wailing. It’s really important to me.

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Latinx podcast episodes dedicated to Latinity and identity Mon, 20 Sep 2021 22:31:12 +0000

With the start of Latinx / Hispanic Heritage Month come the inevitable conversations about our identities and culture. Going through social media can seem overwhelming at times, but luckily there are entire podcast episodes dedicated to these topics. Longtime favorites of Latinx podcasts, such as Locatora Radio and Code Switch, consistently cover these and other important issues related to the Latinx community. Newer podcasts like LaTeaNa are also doing the job of amplifying Latinx voices and tackling issues like the Black Lives Matter movement in relation to the Latinx community. We’ve rounded up nine of the best podcast episodes dedicated to discussing Latinidad.

A family conversation about race and latinidad – Latino USA

LatinUnited StatesPodcast2021

Latino USA shares stories about culture, politics, and social justice within Latinx communities. In the episode “A Family Conversation on Race and Latinidad”, two Afrolatinx cousins, Alexander Newton and Umar Williams, discuss race and Latinidad after the murder of George Floyd. We have all seen the start of real change and a rise in social justice movements following it and Newton and Williams discuss their journey through the eyes of Panamanians.

Latinidad and the American Racial Hierarchy – Modern Racism


Sociologist Trevor B. Milton launched the Modern Racism podcast which focuses on racial issues and the legacy of white supremacy. In the episode “Latinidad and he American Racial Hierarchy,” he discusses what it means to be Latinx in today’s society and discusses the fact that racism exists in all cultures, including Latin America. This particular episode shows how each culture has its own racial biases and it’s an uncomfortable but necessary conversation that needs to take place within the Latinx community.

American Brujeria – Latinx on the Rise


Latinx On The Rise is a podcast about sharing stories by Latinx and showing the world that Latinx crosses borders. “American brujeria”Is an episode that touches on Latinx spiritual practices. Although brujeria remains a powerful practice, many reject or stigmatize it as well. The host, like many of us, explains how common limpias were and talks to author J. Allen Cross, author of American brujeria. The book looks at spiritual practices and what it’s like to live between two cultures.

Latinx Representation – Tamarindo Podcast


Tamarindo hosts Ana Sheila Victorino and Brenda Gonzalez team up with Neilsen, a research firm, to discuss how the Latinx community is represented and what Latinx specifically watches and listens to. More and more TV shows and movies feature Latin actors and actresses and the music industry is booming with Latin artists. This particular episode not only talks about how Latinx is dominating the entertainment industry, but it also offers some suggestions on how to stay grounded and stay true to its roots.



Locatora Radio has everything you want in a podcast: humor, pop culture, wellness, and performance. In this episode, Diosa and Mala have a discussion about white men who identify as Latino (aka Faketinos) and how they capitalize on those credentials while not actually being Latin American. They have also previously covered this topic with women (“Faketinas”) discussing white women posing as Latinas, including white Jewish woman Jessica Krug posing as Afro-Latinas. The Caucasus!

Breaking down barriers as a Latina and as an immigrant – Modern immigrant

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Host Vero is an immigrant from Venezuela who says migrating to the United States has been “one of the most difficult and extraordinary experiences” of her life. In her podcast, Modern Immigrant, she is dedicated to amplifying the voices of immigrants. On this episode, Yessi Bause opens with her graduation as a first generation student while dealing with her legal status and securing employment in the United States. The message here is “you are more than your legal status” and through Yessi’s inspiring journey, Vero shines a light on the untold stories of so many undocumented Latinxes in the United States

What does it mean to be Latino? The Light Skin Privilege Edition – Code Switch


Maria Garcia and Maria Hinojosa are both Mexican American and fair-skinned and with NPR Code switch they explore the complexities of their identities. While Hinojosa identifies as a woman of color, Garcia does not and this episode explains how the two women came to that conclusion. There’s no denying their white-skinned privileges, but it also goes much deeper than that and this episode shows just how personal identity really is.

‘Ain’t I Latina’ Founder Janel Martinez on Creating Space as Black Latinx – Latina to Latina


Host Alicia Menendez talks to Am i not latina founder Janel Martinez on his journey towards identification as an Afro-Latinx and discusses how Latinos see themselves in today’s society. Today’s media paint the ideal Latina like Sofia Vergara or Jennifer Lopez, so Martinez delves into how Latinas present themselves in different colors, shapes and backgrounds.

Black Lives Matter, Self-Love, Representation, Real Conversation – The La-Tea-Na Podcast


The La-Tea-Na Podcast is relatively new and in their first episode they discuss important issues around the Black Lives Matter movement and the portrayal of Latinx. This episode encourages Latinx to speak up and the importance of uplifting and celebrating in all of our rich diversity.

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Enrique Iglesias talks about his “last” album Mon, 20 Sep 2021 16:55:35 +0000

One of the things that stands out the most about Enrique Iglesias’ career is its longevity: the Spanish artist, who started his career in the mid-90s, has been producing hits for over 25 years, sliding through the decades. and following the rhythm. in the industry through different sounds: the rock ballad of “Experiencia Religiosa”, the dance-pop fervor of “Bailamos”, the reggaeton smash “El Perdon” with Nicky Jam. However, he threw his fans on repeat when he announced that his new album – his first in seven years – would be called Final. Immediately, people wondered: would this really be his last?

The short answer is yes. “He is!” Iglesias said on a phone call on his way to a concert rehearsal in Miami. He explains, however, that he is separating Final in two volumes. The first part was released last Friday and features 11 songs that Iglesias has recorded over the past few years, including several topping the 2018 charts, such as “Move to Miami” with Pitbull and “El Baño”, featuring a Bad Bunny in full swing. He’s working on the second part, but once it’s over he sees Final like his last full project. “It’s not a decision I thought about a few weeks ago, a few months ago or even a year ago. It was awhile ago, ”he says.

However, that does not mean the end of his musical career. Below, Iglesias reflects on the past and shares how he plans to make music in the future.

How does it feel to make your last album?
I feel good. I feel good. I have been asked several times, “Are you sure this is the right decision?” But that’s how I felt in 2017, that’s what I feel now. I wanted to release this album in 2017, and I keep releasing singles. I was shooting a lot and I didn’t have time to go to the studio, and last year I had a lot of time to go to the studio and just work there on my own and work with Carlos [Paucar] a lot and just going back and forth and finishing what I needed to finish for the past three years.

I think it is the right thing to do. It doesn’t mean that I will stop writing songs, but maybe [I’ll do things] differently. I look at it like, an album is a book and every song is a chapter. But at the same time, you can also say that a song can be part of it too. I hope I can publish more chapters later – and I still have to complete the flight. 2!

As someone who has made music in English and Spanish throughout their career, what do you think of the way music in Spanish has been embraced in recent years?
To be honest, I always thought it was going to happen. In 1999, they called it “the Latin explosion”. I was still laughing and thinking, “Dude, here in America, they call it the Latin explosion.” Does that mean it’s going to go away? But I knew it would never go away. It was going to happen in different waves. Back then, there were massive artists crossing the English speaking world, and you still see it today. But now Spanish is more accepted – not that it wasn’t then, but I think the general public is more open to it. You have seen it for the past three years.

I could tell it was in 2014 with “Bailando”. I released two versions, in English and in Spanish, and I remember being in the studio with a producer who didn’t speak a word of Spanish, and I played the whole album to him. And when he heard that song, there wasn’t an English version yet, and he was like, “Oh shit. What is this?” When I made the video, in my head, I was like, “Let’s see what happens. I love both versions, but this is where I could say, “It’s a movement that goes beyond language. Whether in English or Spanish. There’s something about this beat, there’s something about this song. “That’s why I used to laugh and say, it’s not a blast. It’s here to stay. It’s not going to go away.

One cool thing for me musically is that I moved here when I was eight. It was mainly because my grandfather had been kidnapped at the time, my parents had divorced – it was quite tumultuous. Moving to the United States, especially Miami, was a drastic change, but musically I remember growing up with music from the Top 40, with Latin music, and then moving back to Europe in the summers, that was. such a mixture. A lot of people wonder why I write in English and not in Spanish, and I’m like, “Dude, I grew up in Miami. I have never spoken perfect English and have spoken perfect Spanish before, but I feel comfortable in both and have always written in both.

You’ve always explored reggaeton and urbano, and here you present Myke Towers and Bad Bunny. How were you inspired by what is happening in reggaeton today?
I think urbano music has been in the foreground and that’s what made Latin music, in many ways, so massive. These artists have been so good at it, and they’ve released some amazing music. I have been fortunate enough to work with so many of them, and I personally started doing it with Wisin Y Yandel in 2008. It was a bit of an experience, but that’s when I I realized, “I have to go into the studio with people who come from different musical genres, and I need to get out of my comfort zone and see what’s going on. I remember being in the studio with them, and at one point it really hit me, and I was like, “I understand that.” And that’s when I started doing more collaborations, because that’s the only way I saw my music evolve. And again, being able to do something more pop, something more urban, that’s what kept me spiritually and what kept me alive in terms of enthusiasm for music I like being uncomfortable in the studio Take me somewhere else and let’s try everything.

For several years, we have been discussing the place of Spanish artists in Latin pop. How do you see this conversation?
I know there has been a bit of debate but I think it all comes down to, you can’t fool the fans. They know if there is a collaboration that makes sense or that seems forced. Usually it comes down to the song and the artist. Whether the artist is from more of a pop genre or an urban genre… I’m sure it goes back to 2008, people were like, “Well, Wisin Y Yandel and Enrique Iglesias, that doesn’t make sense. But the song made sense, and the fans reacted the way I reacted. That said, over the years it’s always a gamble – releasing music is a gamble, period. If people like it, so much the better. And if people don’t like it, move on. You accept it and cry for a few days, and you start over. For me, the collaborations over the years have been essential and they have given me strength.

You’re headlining a tour with Ricky Martin. How does it feel to resume a tour after such a crazy year, and how does it feel to be on the front page with Ricky, especially when there is so much history shared in Spanish pop between you? of them ?
The tour with Ricky is going to be great and it’s going to be interesting. He comes from a different musical style, and I think the fans are going to appreciate that. We wanted a once in a lifetime moment. And the chemistry is there. I’ve known Ricky for so many years and respect him so much, and we also have Sebastian Yatra, who has that energy, great attitude and great music. If you want to see a show you want to see different styles of music and this tour is going to be able to satisfy a lot of people musically. We’re clearly not the same and that’s what is going to make it cool. You’re going to bring these two shows together and enjoy Spanish and English music and crossover hits. It’s going to be a bit of everything.

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Celebrate Hispanic Heritage Month with these Latin Hits Mon, 20 Sep 2021 04:00:00 +0000

The Hispanic community takes pride in its vibrant and colorful music. In honor of Hispanic Heritage Month, here’s an appreciation, in no particular order, of some Latino hits from 2021:

“911” by Sech

Artists like J Balvin and Luis Fonsi are pretty well known in America – I hope Sech will be next. Sech has always been a genius, and many in the Hispanic community have been playing his hits at hangouts and parties for quite some time now. One of his most viral songs of the year, “911,” has catchy reggaeton beats and a strong percussion chorus, so it’s hard not to dance to it. The words “si estás herida pues llama al 911” translate to “If you are injured, call 911”.

“Otra Noche Sin Ti” by J Balvin and Khalid

When I saw this song appear on my Spotify stream, I screamed. What an iconic collaboration. The guitar melody combined with the bass synthesizer results in a relaxing pop song with a Latin twist. Vocally, J Balvin and Khalid’s voices naturally fit together as they both sing softly in Spanish and English. The song is about missing an ex, but honestly the tune of the song is so satisfying, the lyrics are irrelevant.

Sebastián Yatra’s “Pareja del Año” and the Myke towers

This song instantly went viral in the Latinx community and has a unique melody from the strings of the violin. Who would have thought that violin and reggaeton could sound so good together? This song is about a person who just played, saying it’s such a shame because she could have been “the couple of the year”.

“Mal de Amor” by La Doña and Los Texmaniacs

This modern mariachi style song is about someone who hasn’t been treated right in a relationship. The singer puts the ex-lover in his place in a manner that is both elegant and savage, lashing out at them in a graceful and dignified tone. Part of the lyrics is “Je te jette”, followed by a classical accordion. Mariachi music originates from western Mexico, and this song preserves a musical style that has long been part of Hispanic culture and is fun to sing along to.

Bad Bunny’s “Yonaguni”

Bad Bunny is the current king of Latin rap and reggaeton. This song adapts to all moods, and its cold tempo is calming and uplifting. This heartbreaking song has one of the most interesting pieces of content – it’s about taking a flight to Yonaguni, an island in Japan. Just off the island, there is a submerged rock formation named “Yonaguni Submarine Ruins”, the origins of which are unknown. The Puerto Rican artist also sings in Japanese at the end of the song. Everything about this song is captivating and creative.

[From tuxedos to quilt cloaks: The evolution of men’s fashion at the Met Gala]

“A Millón” of the Marías

This piece is perfect for alt-pop fans. The music starts out almost silent and turns into a catchy techno chorus with a Bossa nova type beat. Bossa nova is a mixture of jazz and samba music, originating in Brazil. The singer also has a mystical and subtle voice that instantly draws you in. The lyrics match the beat in every way – it’s about the thrill of a new romance or a crush.

“KESI” by Camilo and Shawn Mendes

This collaboration makes you want to fly to a tropical island and stay there forever. This pop song has a Caribbean influence as it incorporates a fun and carefree marimba style, and it’s about falling in love with someone. Camilo has such a unique voice, and Mendes singing so delicately in Spanish is so worthy of passing out.

“Qué Más Pues?” »By J Balvin and Maria Becerra

Leaning towards the hip hop side of reggaeton, this hit contains a quick-witted dialogue between J Balvin and Argentinian singer Maria Becerra. Beyond any reggaeton song that makes you want to dance, the outro brilliantly associates Becerra’s voice with a synthesizer.

[Burger King’s Chase Hudson Meal is surprisingly not that bad]

“Ella No Es Tuya (Remix)” by Rochy RD, Myke Towers and Nicki Nicole

This vibrant trap song is about a man who “simps” for a woman who doesn’t want to be tied up. She is open and honest about not wanting anything serious and reminds the man that she owes him nothing by saying that she is not his. This song has an energizing vibe and honors just wanting to have fun with crisp percussion and piano chords.

“Telepatia” by Kali Uchis

I’m bending the rules by including “Telepatía”, which was released in November 2020. However, I feel like this song was played nonstop in early 2021. You’ve probably heard this song on TikTok. Kali Uchis switches from Spanish to English so easily in this jazzy pop track. Every time I hear this song my mood is instantly elevated and I can’t help but sway to the beat.

It’s hardly a taste of what contemporary Latin music has to offer. There isn’t enough space here to cover the depth and richness of the tote genre. In this Hispanic Heritage Month, immerse yourself in these songs and more.

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