With its exceptional soundtrack and outsider vibe, Fox’s new comedy-drama The Big Leap is the perfect replacement for Glee for the streaming age. Here’s why.
Fox’s new hour-long comedy-drama The big jump can finally offer the perfect Joy replacement of the streaming era. Located in the present-day Strait, The big jump stars beleaguered reality TV producer Nick Blackburn (played by Scandal and Congratulated star Scott Foley) in search of a second chance after his previous reality show went down in flames. Harassed by the network with a cheesy reality show dance competition that he’s sure will fail, the brash Blackburn rediscovers his passion for his job during the casting process.
When Joy first hit the airwaves in 2009, it was an instant hit. Starring the perfect blend of clever writing and directing, cheerful and fresh newcomers like Lea Michele, Cory Monteith, Naya Rivera and Chris Colfer – not to mention seasoned TV and Broadway veterans like Jane Lynch and Matthew Morrison – and classic pop-rock covers of bands like Journey and REO Speedwagon, Glee has become a pop culture juggernaut. A critical and commercial blow from the pilot, Joy was also a bright, shining light on the television horizon for the public looking for something hopeful and uplifting in the aftermath of the Great Recession.
Just like Joy, The big jump It also happens to be extremely timely, which makes it the perfect show for an audience weary of the pandemic because it’s fun and energetic. The big jump The sincere, upbeat tone and energy sets him apart from the pack as the heir apparent to the great late-night musical television series, which ran for six seasons before ending in 2015. While Foley’s Nick Blackburn is a little darker and more pessimistic than Matthew Morrison’s kind Will Schuester, watching him come back to life while gathering the cast of his show on the show, elicits warm memories of Mr. Schuester returning the glee club at McKinley High to his former glory, despite the obstacles.
Like all great musicals, Joy used the songs the characters sang to convey their rich and often complicated inner lives, even in guest star cameos, like the cover of Neil Patrick Harris’ “Dream On”. The big jump does the same through dance. And while the show has a great set with juicy subplots for everyone from the fiery former ballerina / reality show host Monica Sullivan (played by Galavant Mallory Jansen) to Blackburn’s assistant, Alan (Tim Lyons), the heart of The big jump, like with Joy, are the performers. Meet the parents’ Teri Polo plays a frustrated middle-aged mother / former ballet dancer in an unhappy, former marriage SNL Jon Rudnitsky regularly stars as Mike Devries, a recently divorced factory worker, and newcomer Simone Recasner practically steps off the screen as single mom Gabby Taylor. The fact that the three of them are looking for a second chance as a dancer by participating in the show – much like the Joy the kids were looking for validation and a sense of belonging by singing together in the club – makes their assignments all the more compelling, especially for fans of classic series like Joy.
Ultimately, however, the thing that really does The big jump this generation Joy is the airy and fast-paced storytelling of the series. In joy First Emmy Award-winning season (and arguably the best), Joy Co-creator Ryan Murphy and his company used the region’s ingenious ticking clock plot device to move the story forward at a breakneck pace. The big jump incorporates this same energy into the first edit auditions, team dance rehearsals and the initial casting process for the performance of the reality show from Swan Lake. Corn The big jump reality tv vanity is one step ahead of Joy because Blackburn’s film crews are able to follow the characters wherever they go. It’s too early to tell if the show will be TV’s next pop culture phenomenon, but by revamping many of the elements that made Joy such a pleasant ride, The big jump is certainly a worthy Joy replacement.
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